Lens-Artists Challenge #410 – My Editing Exercises

Vivid Warm filter plus vignetting.

I “met” this young lad the week he was born.  The farmer and his wife were over the moon to have a male (good stock = breeding rights).  Unlike many bulls, this chap is a softie through and through.  Any time I’d approach the fence, he’d come running over for some petting and loving.  Still, a bull!  This shot was the first time I went past after he’d been isolated from all the girls.  It struck me that he looked so sad.  I took the wide picture to remember just how alone he was that day.  

Original:

Crop:

This bridge is on Settler’s Line, the route I took back to Cobourg each time after visiting my friend in Indian River.  When this bridge was built it was, frankly, a jarring addition to the beautiful, unspoiled countryside.  The modern structure and the ghastly colour were both entirely foreign to the scene.  This is what happens when a Torontonian with way too much money, buys a tract of woodland to build a weekend getaway.

Original:

Monochrome:

One of my new Lens-Artists buddies first told me about, and then encouraged me to try, using AI to alter photographs to look like paintings.  This conversion was done on Gemini:

Original:

Gemini Version:

When I was writing my barn book and editing my barn photos, I played around with filters and vignetting.  I thought I’d be able to enhance some shots and p’raps make them a bit more moody.  None turned out well enough for the book!  This afternoon I had another go at this technique.  News flash:  Still not good enough!

Original:

Vivid Warm filter with vignetting:

Confession time:  Ever since sitting in a very quiet cinema, watching Mr. Spielberg’s masterpiece “Schindler’s List” (30+ years ago), I’ve been a bit (laugh here!) obsessed with desaturation.  When I studied photography, I achieved my highest mark with an image of an old barn with, weirdly, a bright red door. I desaturated the image but for the door and it earned me an incredibly high mark.  I was (egotistically) foolishly proud of my image — it wasn’t as good as the red coat that inspired me, but still.  Today I had another try, but this time using only Apple’s Photos.

Original:

Desaturated:

Thanks to the amazingness that is our Ritva for this stimulating and challenging challenge!  The more I participate in these challenges, the more I am aware of skills I need to learn or hone.  This one was lots of fun thanks Ritva!  Her post was a photography editing course unto itself.  Her images are brills, as always, and her narrative is very informative and interesting.  Please check out her post, you’ll be so glad you did and p’raps, like me, you’ll learn from her expertise:

’Til next time, y’all…

Gemini generated image from my photograph.

Comments

17 responses to “Lens-Artists Challenge #410 – My Editing Exercises”

  1. Nicely done on the photoediting, Pam. The barn turned out great! I like the painterly look of the flowers. I’m quite fond of the filters in Google images for oil paint and watercolor rendering.

    1. Thank you. Honestly, I struggle with editing because I’m so afraid of over-processing. Sometimes, it is very easy to get carried away. 🙂 xx

  2. Your edits are great, not over done – I have a thing about that, I usually want the edits to be realistic. You have done that beautifully. The bull is adorable, great crop. The bridge – much less on your face in Monochrome. and the barn, I do like the moodiness. Last and least turning to AI to turn photos to art in itself is a skill so you know how to give prompts – you have succeed at that too. Thanks for your kind words about me Pam

    1. Oh, Ritva, thank you! I’m learning every so much from reading your words and studying your images. pp

      1. Thanks for this comment Pam, much appreciated

  3. Extremely well done! I especially liked the AI cow and the feature bridge image. I think the barn shows good progress; keep working at it. Thanks for sharing.

    1. Thank you! That’s very kind. The barn is crap! I cannot figure this filters thing out yet but I’m not giving up. pp

  4. I can see by this week’s responses already on a Sunday morning, there are lots of photographers who are masters of the edit. Yours is a wonderful collection, Pam. I love that sepia-toned bridge you opened with.

    1. Thanks, John!

  5. Pam, how creative you were with this gallery! Kudos to you for the great photos here. The monochrome bridge and also the barn are my favorites. The barn brings out the age it has withstood. Well done!

    1. Thank you so much, Egidio!

  6. Really terrific Pam, loved all of your images both before and after. Gotta agree about that bright bluish-green bridge. UGH!

    1. The day we saw it arrive on the truck, we just looked at each other and said “Why?” – we did wonder if it would, eventually, be painted, but no.

    2. Oh, so sorry, thank you very much for your kind words! xx

    3. Oh, Tina, so sorry – thank you so much for your kind words. xx

  7. Spot on, Pam. Your originals were good but all benefited from your editing, your choices were excellent.

    1. Thank you so much! But Sofia, just imagine how they’d look if you’d edited those same five images!!!!!!!!! I’ve a lot yet to learn! xx

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